I Have more neve stuff like 5014, 5043, TC Reverb 4000, Eventide 4500, Warm Audio WA273EQ etc. I use UAD because it off loads the CPU so i got it for Vienna library and more channels! My Master bus has The true reverb ! I have a Bricassti, but when i am doing mock ups the Liquid Sonics is so dam Close to bricasti Reverb. I put both project and DP 10.1 I use a UAD OCTO card with EMT 140 Reverb plate on Vienna, and Liquid Sonics Seventh Heaven Professional on Master DP Fader Buss with (Spaces)= Scoring Stage with it at 10 o'clock on mix of reverb in Seventh Heaven. IT would be cool to have a converter, to migrate 6.5 soups to 7. 7 You goto tick it before motu DP launch. I can’t be the only Film TV composer using it?Īwesome !Thank you so much. I do so love the Vienna library! I Just think it’s time to get some Digital Performer 10 stuff going. I have them in version 6 of Vienna ensemble but will share when I convert to Ensemble pro 7. Save all of us Vienna library composers hours upon hours of time and frustration. With busses, effects etc that I use on my episodically tv and film gigs. When I can learn how to get Vienna ensemble 7 pro to work in DP I will creat a orchestral template and share free for all Vienna people! Vintage stuff, like moog, prophet VS, Yamaha montage, Yamaha TX816, everything emu made! Korg, Roland, Kurzweil, like every midi instrument made in last 40 years Ha! I am old? And 4 MOTU MIDI timepieces with tons out midi outboard instruments. With a bunch of high end class A eq’s, mastering crap. I have a 2010 Mac Pro, 96gb ram dual cpu 12 cores with 10.14 OS. And help us older film composers actually compose music instead of composing templates. It would help sell more Vienna products which equates to more Vienna updated and wonderful library’s. Others please contribute a step by step how to set up a Vienna ensemble pro 7 session with four 16 channel sessions. Others try to sell you a DP 10 orchestral template for VSL, but give me a break! I mean in the film TV world we trade and share to help improve the usage of the great library’s, and help fellow composers out by letting compose! I then have same created in midi tracks in DP 10.1 that attach to Vienna ensemble pro, with names of instruments etc. I have Woodwinds, Brass, Percussion, Strings with each having 16 channels of midi, with a buss, ( with effects) and master on each section. It would be nice to have a tutorial or breakdown in steps how to set up Ensemble Pro 7 with 4 sets of 16 midi channels templates. As I can’t get Ensemble pro 7 to work in DP 10.1 so I use version 6 I now just use saved templates from Ensemble Pro 6, I created years back on a Disney gig. What is “ Ensemble pro Input “ in VSL vst in DP? How do I get the Ensemble pro 7 server to launch in DP?ĭ. How do I get my Ensemble Pro 7 to launch within Dp? Or even find it?Ĭ. Should the ensemble pro server 64 not start by itself when I add a Ensemble pro (stereo) instrument in DP 10.1?ī. Just two “Esemble pro (stereo) choices.įirst one brings up window of a small size with no graphics, no interface, nothing!Ī. I add a “instrument track” in DP, choose VSL vst in DP menu, and then there is huge selection of instruments, mono, stereo, MAS, 7.1 surround sound etc. I am NOT able to get ensemble pro 7 to work in DP 10.11 I recently upgraded Vienna ensemble pro from 6.5 to 7. I am a DP fan, as I use DP and used since the 80’s on all TV and film projects. I have been using VSL products since 2009. We could post templates for Vienna instruments and Ensemble pro 7, and discuss
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